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"Tendo dentro de si o grande espaço vazio de um cego, ele avançava." (Clarice Lispector)
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"Having within himself the big emptiness of a blind one, he moved foward." (Clarice Lispector)
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Com a sequência encadeada de imagens busco montar uma escrita que segue desvendando unidade aos aleatórios arrepios dispersos pelos anos envoltos em obscuridade e êxtase. Mas jamais como um círculo absolutamente fechado. O caráter espiralado propiciaria ao espectador pensar em tantas situações quanto as que as imagens tornam possíveis. Contudo, minhas pesquisas fotográficas sempre chegam ao instante de adquirirem-se organismo vivo, trazendo em si um enredo que aponta um rumo. De todos os meus estudos, “Labirinto móvel” é pelo qual mais busco afixar peso nos hífens entre as imagens. Há aqui, desde 1992 e por intermédio do corpo humano, um visceral mergulho por onde anseio desvendar a força da paixão artística em atrito com o desejo do corpo. Nos dezenove anos busquei atingir uma solução onde um não sufocasse o outro. As imagens desvelam amor e ódio pela arte fotográfica; profundo desequilíbrio quando o artista tenta escapar da impotência emergida pelo peso da escolha artística. Nas últimas imagens constatamos o indivíduo aceitando-se homem e fotógrafo. Corpo de gente e cabeça de câmera.
With the images editing of “Surrounding almost” (www.emtornodoquase.blogspot.com) I seek a writing balance that follows unveiling the images scattered throughout the years shrouded in obscurity and ecstasy. Detached pieces by photographer and then I felt chaining. Or the work is becoming a living organism capable of deciding senses. But it should never be a closed circle. The spiral nature would provide the viewer to think about the many situations in which the images allow possibilities. However, all my photographic researches always reach the moment of becoming a living organism, bringing with it a story that points out one way. From all my studies, "Moving labyrinth" is the one by what I post more weight in the hyphens between the images. Since 1992 a visceral dive tries unveiling the power of artistic passion against body will, and vice-versa. Throughout nineteen years my main concern had always been the best solution reached out from that friction – without having a suffocated loser. The images unveil love and hate for the photography art; deep unbalance when the artist tries to escape the impotence aroused from artistic power against body will. The process goes on up to the ending moments when the individual accept and learns himself as being a man and a photographer.
.With the images editing of “Surrounding almost” (www.emtornodoquase.blogspot.com) I seek a writing balance that follows unveiling the images scattered throughout the years shrouded in obscurity and ecstasy. Detached pieces by photographer and then I felt chaining. Or the work is becoming a living organism capable of deciding senses. But it should never be a closed circle. The spiral nature would provide the viewer to think about the many situations in which the images allow possibilities. However, all my photographic researches always reach the moment of becoming a living organism, bringing with it a story that points out one way. From all my studies, "Moving labyrinth" is the one by what I post more weight in the hyphens between the images. Since 1992 a visceral dive tries unveiling the power of artistic passion against body will, and vice-versa. Throughout nineteen years my main concern had always been the best solution reached out from that friction – without having a suffocated loser. The images unveil love and hate for the photography art; deep unbalance when the artist tries to escape the impotence aroused from artistic power against body will. The process goes on up to the ending moments when the individual accept and learns himself as being a man and a photographer.
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******** Fotos 02, 16, 18, 19, 21, 22, 27, 29 e 32 - Alexandre Santos / Fotos 03, 04 e 24 - Divino Francisco / Foto 05 - Divino Francisco e Alexandre Santos / Fotos 06 e 17 - Danilo Antonelli / Foto 07 - Shirlei Romano e Hortência Moreira / Foto 08 - Raycen Martins / Foto 09 e 12 - Valker Freitas e Raycen Martins / Foto 14 - Danilo Antonelli e Alexandre Santos / Foto 20 e 30 - Márcio Carneiro / Foto 25 - Fábio Bueno / Foto 26 - Rochane Torres e Alexandre Santos / Foto 28 - André / Foto 31 - Antônio Paiva .
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